Tag: "seminar"

Cinematography Lab 1.04: GET THE BEST IMAGE FROM YOUR CAMERA – May 7

HOLLYWOOD SHORTS Cinematography Lab

 

 


GETTING THE BEST IMAGE FROM YOUR CAMERA

CINEMATOGRAPHY LAB with JAY HOLBEN


LAB #1.04: GETTING THE BEST IMAGE FROM YOUR CAMERA

The Fundamentals of Cinematography Lab at Panavision

Tues., May 7, 2013
1:00pm – 4:00pm
Lab Fee: $35.00

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 The age of digital gives us extraordinary flexibility within the camera to manipulate the recorded image. Go inside the camera to learn what all those menu functions really mean – and how to make them work for you.

Learn how to balance an on-set monitor and how to make white balance a create tool. In addition, we will take a look at the similarities and differences between several cameras from a variety of manufacturers in different formats and price ranges.

This lab is designed for all camera experience levels – this is a great primer for filmmakers, camera crew, and anyone interested in learning more about how today’s advanced camera systems work.

REGISTER

HOLLYWOOD SHORTS Cinematography Lab – $35.00


Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) continues our full line up of filmmaking seminars and labs. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and crew positions.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every filmmaker, camera department professional and up-n-comer should know…

Seminar Topics include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • Camera Lenses
  • The Flavors of HD
  • Camera Accessories & Camera Prep
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Cinematography Lab 1.03 – LIGHTING FROM HOME DEPOT – Apr 2

HOLLYWOOD SHORTS Cinematography Lab

 

 


LIGHTING FROM HOME DEPOT
with JAY HOLBEN

CINEMATOGRAPHY LAB for Filmmakers


LAB 1.03: LIGHTING FROM HOME DEPOT

Register for Jay Holben's LIGHTING FROM HOME DEPOT seminar - www.hollywoodshortscomLab Fee $35.00

Tuesday, April 2, 2012
1:00pm – 4:00pm

JET STUDIOS
5126 Lankershim Boulevard, North Hollywood, CA 91601
Residential Street Parking

The key to any good image is lighting. Although Hollywood spends millions of dollars on lighting equipment – you can achieve the same kinds of lighting results with everyday tools you can find at your local hardware and home improvement store.

Learn the secrets to excellent lighting on a micro-budget! Jay Holben shares tips and techniques from his book “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget”.

This is the third session in our six-part monthly Cinematography Lab series – Cycle #3.

Presented by Panavision’s Emerging Filmmakers Program and ProductionHUB

REGISTER

HOLLYWOOD SHORTS Cinematography Lab 1.03
“LIGHTING FROM HOME DEPOT”


Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Cinematography Lab 1.01: THE FUNDAMENTALS – Feb 5

HOLLYWOOD SHORTS Cinematography Lab

 

 

 

THE FUNDAMENTALS OF CINEMATOGRAPHY

CINEMATOGRAPHY LAB with JAY HOLBEN


LAB #1.01: THE FUNDAMENTALS OF CINEMATOGRAPHY

The Fundamentals of Cinematography Lab at Panavision

February 5th, 2013
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

In today’s digital age, higher quality and less expensive cameras have democratized the filmmaking process making it accessible to nearly everyone. Now that is easier than ever to get out there and start shooting on your own, it is important to learn the art, aesthetics and science of how to utilize digital technology to create an artistic and pleasing image.

Cinematographer-turned-director JAY HOLBEN, Technical Editor at DV Magazine, will take us on a journey through the basics of photographic imagery. Jay will cover what light is and how we see it, to understanding dynamic range, exposure and WHY we light (especially when modern cameras can nearly see in the dark). The Fundamentals of Cinematography explores how the professional cinematographer crafts their images. Move your own image-making forward quantum leaps.

This lab is perfect for aspiring DPs and camera crew, filmmakers who have recently acquired a digital camera package, and directors who want to improve understanding and communication with their cinematographers.  Producer will gain insight into the latest digital tools to put together the most cost effective packages that serve the creative needs of their camera departments.  Empowering information and tips that will be helpful for experienced filmmakers as well as novice shooters.

REGISTER


Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Cinematography Lab 1.03 – GETTING THE BEST IMAGE – June 12

HOLLYWOOD SHORTS Cinematography Lab

 

 

GETTING THE BEST IMAGE FROM YOUR CAMERA

CINEMATOGRAPHY LAB with JAY HOLBEN


LAB #1.03: GETTING THE BEST IMAGE FROM YOUR CAMERA

The Fundamentals of Cinematography Lab at PanavisionHS/FILMLAB 2012 Cinematography Lab

Tues., June 12, 2012
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 

The age of digital gives us extraordinary flexibility within the camera to manipulate the recorded image. Go inside the camera to learn what all those menu functions really mean – and how to make them work for you.

Learn how to balance an on-set monitor and how to make white balance a create tool. In addition, we will take a look at the similarities and differences between several cameras from a variety of manufacturers in different formats and price ranges.

This lab is designed for all camera experience levels – this is a great primer for filmmakers, camera crew, and anyone interested in learning more about how today’s advanced camera systems work.

 

REGISTER

HOLLYWOOD SHORTS Cinematography Lab – $35.00

 

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • Camera Lenses
  • The Flavors of HD
  • Camera Accessories & Camera Prep
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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BIG WORLD FOR LITTLE MOVIES Seminar – May 24

BIG WORLD FOR LITTLE MOVIES:
THE COMPLETE GUIDE FOR SHORT FILM CONTENT

American Cinematheque at the Egyptian Theatre
Film Seminar Series
with Thomas Ethan Harris

American Cinematheque
Egyptian Theatre

6712 Hollywood Boulevard, Hollywood, CA 90028
Thursday, May 24 @ 7:30pm                                                                              

(Mention HOLLYWOOD SHORTS at the box office for 20% discount)

Whether the renewed vitality of the short film content is based on the rise of consumer “pod casts”, the content crazed appetite of the internet or the internet’s short content offspring – Webseries — there’s no denying it’s a BIG world out there for “little movies.” Uncover a wealth of information on short filmmaking trends, current channels of distribution and the future of short film exposure from a panel of short film business and programming leaders.
 
The world of short film content has changed dramatically in recent years.
 
In fact, not since the “.com era” of the 1990s, have we seen such rethinking of how the short film figures into overall landscape of the entertainment industry.
 
Today there are literally thousands of film festivals for you to consider as you move your short film out to festival audiences.  With cable television exposure for short films part of the distant dream of the 1990s, short filmmakers now find themselves contending with the options of a new virtual wild west — The Internet, Video-On-Demand (VOD) and pod casts — for greater content exposure than festival world could ever dream of or deliver.
 
But don’t stop there!  With the 1000s of Internet sites available to you to post your film on, which site is best for your film?  Is it more advantageous for your extended career to “YouTube” or “Vimeo” your short or for you to post your short on your own website and use your favorite social networking site to drive attention to your film?  What is a “torrent site” and how can it figure into the distribution of your short?  How do short film distributors (like Quat Media, SND Films, Shorts International) figure into today’s short film landscape?
 
Now consider this:  With the incredible expansion of the methods of distribution and exhibition open to your short film, there has EVEN been a revolution in the very definition of what artistically comprises a short film.
 
What is a “festival” short?  What is the difference between a “Sundance short,” a “Cannes short,” an “internet short” and a “Short Film Festival short”?  What does the Academy of Motion Arts and Sciences look for in a short film?  What is the definition of the most desirable form of content for a short film distributor?
 
Finally, and most provocatively, is it more advantageous for a short filmmaker today to make a single short (festival) film or to develop and produce a webseries?
 
For our May 24 seminar, BIG WORLD FOR LITTLE MOVIES:  THE COMPLETE GUIDE FOR SHORT FILM CONTENT, we turn our total attention to unraveling the whole, overwhelming and complex world that today’s short filmmaker must deal with to take good care of their work.
 
THE COMPLETE GUIDE FOR SHORT CONTENT begins with a focus on issues surrounding film festivals, film festival release strategies for short films, a list of the World’s Best Short Film Festivals (and some not very good ones!) and establishing some definitions for the various forms or identities the short film artistically embodies today.
 
The second part of our evening’s seminar will be dedicated to an in depth discussion of short film distribution and exhibition. Not only will we open the door to a greater understanding of overall design of the content favored by distributors, but we will also examine rights and clearances issues AND help to sort out the vast offerings of the Internet and the potential of having your very own webseries.
 
Panelists Include:
 
Kim Adelman, Author, Making It Big In Shorts, The Ultimate Filmmaker’s Guide To Short Films,
Indiewire Short Film Columnist
 
Kalman Apple, Sales & Acquisitions Consultant, SHORTS INTERNATIONAL
 
Kimberley Browning, Filmmaker & Festival Director, HOLLYWOOD SHORTS
 
Moderated By Thomas Ethan Harris,
Producer, AMERICAN CINEMATHEQUE FILM SEMINARS;
Former Director Of Programing, LOS ANGELES FILM FESTIVAL and PALM SPRINGS INTERNATIONAL SHORT FILM FESTIVAL
 
 
SEMINAR EVENT LOCATION
The American Cinematheque’s Egyptian Theatre in Hollywood
6712 Hollywood Boulevard
Los Angeles, CA 90028
 
SEMINAR DATE AND TIME
One Night Only!
Thursday, May 24 @ 7:30pm – 10:30pm
 
TICKET INFORMATION
Advanced Tickets Recommended
All Seminars Ticket Prices: $12 Cinematheque Members, $15 Students/Seniors, $20 General.  Order tickets online at www.fandango.com or buy them in person at the Egyptian Box Office.  The Egyptian Box Office is open 1.5 hours before the first program of the day or evening.  In addition to in person and www.fandango.com, CINEMATHEQUE MEMBERS may be purchased tickets in advance by phone: 323.692.3431
 
HOLLYWOOD SHORTS FILMMAKER TICKET DISCOUNT!!
25% Off Our General $20 Ticket Price For HOLLYWOOD SHORTS FILMMAKERS!
Hollywood Shorts Filmmakers will be offered a special $15 ticket to our COMPLETE GUIDE TO SHORT FILM CONTENT seminar on Thursday, May 24 when purchasing SAME DAY (May 24) tickets only.  Inquire about the ticket discount at the Egyptian Box Office by mentioning that you are a Hollywood Shorts Filmmaker.
 
Cheap Parking!  LA Film School Lot, 6363 West Sunset Boulevard (enter on east side of Ivar, north of Sunset).  $5  Lot closes at 1am.  Additional $5-$10 parking behind the Egyptian and on Selma Avenue.  The American Cinematheque no longer validates for Hollywood and Highland, but the Visitors Information Booth at Hollywood/Highland will validate 2 hours for $2. Make sure to validate when you arrive and to check operation hours online.
 
Please visit our website for more information www.americancinematheque.com

Twitter, Going, Gather, Facebook (sidgrauman, Egyptian, aero)
 
Please direct inquiries on the American Cinematheque Film Seminar Series to Seminar Producer/Instructor:  Thomas Ethan Harris

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Cinematography Lab 1.02 at Panavision – THE FLAVORS OF HD – May 2

CINEMATOGRAPHY LAB with JAY HOLBEN

THE FLAVORS OF HD

Cinematography Lab 1.02

Wednesday, May 2
1:00pm – 4:00pm

presented by

 

 


NOVEMBER Cinematography Lab: The Flavors of HDLAB #1.02: THE FLAVORS OF HD

HS/FILMLAB 2012
Cinematography Lab

Wednesday, May 2, 2012
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 

 

With such myriad of high-definition video formats available in the marketplace, how do you know which is best for your project? How can you tell the difference? Which is better?

DV Magazine’s technical editor, Jay Holben, will explain the aspects of high definition video formats and demystify the lingo. Learn exactly what compression codecs are commonly used, how to understand bit rates and color dissemination. Ever wonder the difference between 4:2:0 and 4:1:1? Why is one HD camera $250,000 and another is only $20,000? Leave the session having a keen understanding of the elements that make up high definition formats to be able to make more informed decisions about which format and which camera is best for your project.

HOLLYWOOD SHORTS Cinematography Lab – $35.00

 

 

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

 

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and is a frequent contributing editor for Videography magazine. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. Jay is currently writing a new film lighting manual for digital shooters for Cengage Learning, due out in early 2011, on budget conscious lighting alternatives for DIY productions. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

 

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Cinematography Lab 1.05: LIGHTING FROM HOME DEPOT – Apr 26

HOLLYWOOD SHORTS Cinematography Lab

 

 


LIGHTING FROM HOME DEPOT

CINEMATOGRAPHY LAB with JAY HOLBEN


LAB 1.05: LIGHTING FROM HOME DEPOT

Register for Jay Holben's LIGHTING FROM HOME DEPOT seminar - www.hollywoodshortscomHS/FILMLAB 2012 Cinematography Lab
Fall Cycle – Lab Fee $35.00

Thursday, April 26, 2012
6:00pm – 9:00pm

CENTRAL COMMAND STUDIOS – NORTH HOLLYWOOD
5760 Tujunga Avenue, North Hollywood, CA 91601
Street Parking

The key to any good image is lighting.  Although Hollywood spends millions of dollars on lighting equipment – you can achieve the same kinds of lighting results with everyday tools you can find at your local hardware and home improvement store. 

Learn the secrets to excellent lighting on a micro-budget!  Jay Holben shares tips and techniques from his book “A Shot in the Dark:  A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget”.  

This is the fifth session in our six-part monthly Cinematography Lab series – Fall Cycle.

 

REGISTER

HOLLYWOOD SHORTS Cinematography Lab 1.05
“LIGHTING FROM HOME DEPOT”


Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Cinematography Lab 1.01 – Apr. 4th

HOLLYWOOD SHORTS Cinematography Lab

 

 

 

THE FUNDAMENTALS OF CINEMATOGRAPHY

CINEMATOGRAPHY LAB with JAY HOLBEN


LAB #1.01: THE FUNDAMENTALS OF CINEMATOGRAPHY

The Fundamentals of Cinematography Lab at PanavisionHS/FILMLAB 2012 Cinematography Lab

April 4, 2012
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 

In today’s digital age, higher quality and less expensive cameras have democratized the filmmaking process making it accessible to nearly everyone. Now that is easier than ever to get out there and start shooting on your own, it is important to learn the art, aesthetics and science of how to utilize digital technology to create an artistic and pleasing image.

Cinematographer-turned-director JAY HOLBEN, Technical Editor at DV Magazine, will take us on a journey through the basics of photographic imagery. Jay will cover what light is and how we see it, to understanding dynamic range, exposure and WHY we light (especially when modern cameras can nearly see in the dark). The Fundamentals of Cinematography explores how the professional cinematographer crafts their images. Move your own image-making forward quantum leaps. This lab is perfect for aspiring DPs and camera crew, filmmakers who have recently acquired a digital camera package, and directors who want to improve understanding and communication with their cinematographers.

REGISTER

 

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

 

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Cinematography Lab 1.04: Camera Lenses & Accessories – Mar. 7

HOLLYWOOD SHORTS Cinematography Lab

 

 

 

THE CAMERA: Lenses & Accessories

CINEMATOGRAPHY LAB with JAY HOLBEN


LAB 1.04: THE CAMERA: LENSES & ACCESSORIES

HS/FILMLAB 2012 Cinematography Lab

Register for Panavision Cinematography Lab 1.04: THE CAMERA: LENSES & ACCESSORIES in Hollywood, CA  on EventbriteWednesday, March 7, 2012
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 

The Fundamentals of Cinematography Lab at PanavisionThis lab focuses on THE CAMERA and everything you need to know to get the most of the package you choose for your production.   Whether you are putting together your rental order to the camera house, or shopping to buy your own camera package – there are so many makes, models and components.  This seminar is great for camera assistants, DIY filmmakers, and producers who want more insight on where to best invest to get the most  for your budget.

LENSES:  Get to know the ins and outs of the most important part of your camera: the lens. This primer is Lenses 101!  We will cover different types of lenses and different lens mounts, as well as crop factor, depth of field, anamorphic to spherical, lens adapters and more.

ACCESSORIES: From the 35mm Platinum to today’s DSLR cameras, every camera needs a range of accessories and tools to maximize the camera’s functions.  The list and options can be overwhelming.  Learn about the tools of the trade for the assistant camera person – get an introduction to the accessories available to make production shooting easier.  We will define a wide range of camera accessories, and learn how to prep and build a camera.

REGISTER

HOLLYWOOD SHORTS Cinematography Lab 1.04
“THE CAMERA:  LENSES & ACCESSORIES”

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

 

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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SEMINAR: In The Cut – Employing The Art of Editing

American Cinematheque at the Egyptian Theatre
American Cinematheque
Filmmaking Seminar Series
with Thomas Ethan Harris

 

 

IN THE CUT

EMPLOYING THE ART OF EDITING

 

Thursday, February 17, 2011

7:30pm – 10:30pm

Spielberg Screening Room
Egyptian Theatre  –  Hollywood, CA

 

Cost:  $15.00 for HOLLYWOOD SHORTS filmmakers
at the Egyptian Theatre Box Office


The shower scene in PSYCHO.

Two glamorous bank robbers’s final end in BONNIE AND CLYDE.

A runaway baby carriage in BATTLESHIP POTEMKIN.

Lack of continuity in BREATHLESS.

Chances are you first remember these master works for their editing.  But when do you employ the jump cut, avoid a reverse shot, or elliptically cut?  What is their actual effect?

What is “dialectical montage”, “suturing” and how does “cutting to a character’s POV” enhance a film?

Film and Festival Consultant Thomas Ethan Harris leads a discussion where everything’s in the cut.


All HOLLYWOOD SHORTS filmmakers & community are invited to join the February installment of the Cinematheque’s monthly seminar series with a discount on the ticket price when purchased at the box office on the day of the seminar.  Mention HOLLYWOOD SHORTS at the box office when purchasing your tickets to received our member discount.  Tickets are available at the box office 90 minutes prior to the event.

Cheap Parking! The American Cinematheque’s Egyptian and Spielberg Theatres validate only for HOLLYWOOD AND HIGHLAND, $2 for 4 hours (each additional 20 minutes is $1.)   LA Film School Lot, 6363 West Sunset Boulevard (enter on east side of Ivar, north of Sunset).  $5  Lot closes at 1am.

Please visit the American Cinematheque website for more information www.americancinematheque.com

Follow The American Cinematheque on Twitter!   @sidgrauman


Thomas Ethan Harris

Thomas Ethan Harris - American Cinematheque Seminar SeriesThomas Ethan Harris has served as the Director Of Programming for numerous organizations and non-profits including the Los Angeles Film Festival, the Palm Springs International Festival of Short Films and the Palm Springs Cultural Center. The experience of overseeing these selection committees has given Harris a unique insight into the contemporary world of independent filmmaking.

Harris holds a Masters Degree in World Film History/Film Theory and Criticism from the University of Southern California, School of Cinema-Television.

From 1996-2002 Thomas served as Director of Programming/Co-Creator of the highly regarded Los Angeles Film Festival (LAFF). Under his guidance, the Los Angeles Film Festival introduced such films as THE CRUISE (Artisan), THE CHATEAU (IFC), DEAD MAN (Miramax), GEORGE WASHINGTON (Cowboy), KAATERSKILL FALLS (IFC), BETTER LIVING THROUGH CIRCUITRY (Palm Pictures), THE LIFESTYLE (Sony Classics) and KISSING JESSICA STEIN (Fox Searchlight). He is credited with having introduced to the film world such acclaimed contemporary filmmakers as Academy Award nominee Bennett Miller (CAPOTE), New York Film Critics Circle Prize Winner, David Gordan Green (ALL THE REAL GIRLS), Charles Wurmfeld (KISSING JESSICA STEIN) and Thomas Bezucha (THE FAMILY STONE). Also in 1995, Mr. Harris founded (with Margot Gerber) and programmed the American Cinematheque’s critically acclaimed, on-going screening series, THE ALTERNATIVE SCREEN. The Alternative Screen, which celebrated its 10th Anniversary in 2005, focuses on cinema that is more expressive in its narrative dimensions and more formally challenging than most American film work today. Upon leaving LAFF in late 2002, Mr. Harris was selected as one of Variety’s “TOP 10 Industry Professionals to Watch” in the American Independent Film arena. Mr. Harris has served as a jury member to countless film festivals and as the Director Of Programming to both the Palm Springs International Festival of Short Films (2003-4) and the Palm Springs Native American and Indigenous Peoples Film Festival (2005-present). Most recently, Mr. Harris has offered his talents as a curator and a consultant/film festival creator to the International Emerging Talent Film Festival in Monte Carlo, Monaco, which had its film festival debut in May 2007. Most recently, Mr. Harris served as the co-creator and Artistic Director of the Palm Springs Cultural Center which focuses on emerging talent in all realms of the arts. Since 2003, Mr. Harris has owned and operated his own successful Los Angeles-based consulting business which works closely with a variety of film artists and producers from all over the United States and the international film community in all aspects of film financing, film production, screenwriting, film direction and visualization. Harris’ company was founded with the principle that we have yet to see the potential of cinema and we must secure a way for a new generation of film artists and for new filmic expressions. Among his many clients are filmmakers from Argentina, China, England, France, Norway, Uruguay, and the United States and such motion pictures as THE BLAIR WITCH PROJECT, BIG EDEN, KISSING JESSICA STEIN, ADIOS MOMO, Disney’s 2004 Oscar-nominated Salvador Dali/Walt Disney short DESTINO, TWO SOLDIERS, winner of the 2004 Academy Award for “Best Live Action Short Film” and RYAN, winner of the 2005 Academy Award for “Best Animated Short Film.

American Cinematheque Filmmaking Seminar Series

The American Cinematheque debuted its Filmmaking Seminars for Filmmakers and other artists in September 2007 with the concept of offering concrete, practical information on a variety of filmmaking, marketing, creative and business practices at a very reasonable cost to the many independent filmmakers working in the Los Angeles area.

Film consultant and festival programmer Thomas Ethan Harris leads many of the seminars in tandem with guest speakers working in the spotlighted fields.

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SHORT FILM SEMINAR – December 15


BIG WORLD FOR LITTLE MOVIES

THE COMPLETE GUIDE FOR SHORT FILM CONTENT

The world of short film content has changed dramatically in recent years. Uncover a wealth of information on short filmmaking trends, current channels of distribution and the future of short film exposure from a panel of short film business and programming leaders.

 

Wednesday, December 15

7:30pm – 10:30pm

AMERICAN CINEMATHEQUE

Egyptian Theatre
6712 Hollywood Boulevard
Hollywood, CA 90028

American Cinematheque at the Egyptian Theatre

BUY TICKETS

Cinematheque Members:  $12.00       HOLLYWOOD SHORTS members:  $15.00

 

Moderator:

Thomas Ethan Harris
Producer/Instructor
American Cinematheque Film Seminars

Panelists:

Kimberley Browning
Filmmaker & Executive Director
HOLLYWOOD SHORTS

Andrew Crane
Short Film Programming
AMERICAN CINEMATHEQUE



TICKET INFORMATION

All Seminars Ticket Prices: $12 Cinematheque Members, $15 Students/Seniors, $20 General.  Order tickets online at www.fandango.com or buy them in person at the Egyptian Box Office.  The Egyptian Box Office is open 1.5 hours before the first program of the day or evening.  In addition to in person and www.fandango.com, CINEMATHEQUE MEMBERS may be purchased tickets in advance by phone: 323.692.3431

HOLLYWOOD SHORTS  DISCOUNT TICKETS
25% Off General Ticket Price for HOLLYWOOD SHORTS participants.
HOLLYWOOD SHORTS Filmmakers will be offered a special $15 ticket price  to our
Complete Guide To The Short Film seminar on Wednesday, December 15th when purchasing SAME DAY (December 15th) tickets only.  Mention HOLLYWOOD SHORTS when purchasing your tickets at the box office for the special $15 ticket price.


SEMINAR OVERVIEW

Whether the renewed vitality of the short film content is based on the rise of consumer “pod casts”, the content crazed appetite of the internet or the internet’s short content offspring – Webseries — there’s no denying it’s a BIG world out there for “little movies.” Uncover a wealth of information on short filmmaking trends, current channels of distribution and the future of short film exposure from a panel of short film business and programming leaders.

The world of short film content has changed dramatically in recent years.

In fact, not since the “.com era” of the 1990s, have we seen such rethinking of how the short film figures into overall landscape of the entertainment industry.

Today there are literally thousands of film festivals for you to consider as you move your short film out to festival audiences.  With cable television exposure for short films part of the distant dream of the 1990s, short filmmakers now find themselves contending with the options of new virtual wild west — The Internet, Video-On-Demand (VOD) and pod casts — for greater content exposure than festival world could ever dream of or deliver.

But don’t stop there!  With the 1000s of internet sites available to you to post your film on, which site is best for your film?  Is it more advantageous for your extended career to “YouTube” or “Vimeo” your short or for you to post your short on your own website and use your favorite social networking site to drive attention to your film?  What is a “torrent site” and how can it figure into the distribution of your short?  How do short film distributors (like Quat Media, SND Films, Shorts International) figure into today’s short film landscape?

Now consider this:  With the incredible expansion of the methods of distribution and exhibition open to your short film, there has EVEN been a revolution in the very definition of what artistically comprises a short film.

What is a “festival” short?  What is the difference between a “Sundance short,” a “Cannes short,” an “internet short” and a “Short Film Festival short”?  What does the Academy of Motion Arts and Sciences look for in a short film?  What is the definition of the most desirable form of content for a short film distributor?

Finally, and most provocatively, is it more advantageous for a short filmmaker today to make a single short (festival) film or to develop and produce a webseries?

For our November seminar, BIG WORLD FOR LITTLE MOVIES:  THE COMPLETE GUIDE FOR SHORT FILM CONTENT, we turn our total attention to unraveling the whole, overwhelming and complex world that today’s short filmmaker must deal with to take good care of their work.

THE COMPLETE GUIDE FOR SHORT CONTENT begins with a focus on issues surrounding film festivals, film festival release strategies for short films, a list of the World’s Best Short Film Festivals (and some not very good ones!) and establishing some definitions for the various forms or identities the short film artistically embodies today.

The second part of our evening’s seminar will be dedicated to an in depth discussion of short film distribution and exhibition. Not only will we open the door to a greater understanding of overall design of the content favored by distributors, but we will examine rights and clearances issues AND help to sort out the vast offerings of the internet and the potential of having your very own web series.

Moderated By Thomas Ethan Harris, Producer/Instructor, American Cinematheque Film Seminars


SEMINAR EVENT LOCATION

The American Cinematheque’s Egyptian TheatreHollywood
6712 Hollywood Boulevard
Los Angeles, CA 90028

Cheap Parking! The American Cinematheque’s Egyptian and Spielberg Theatres validate only for HOLLYWOOD AND HIGHLAND, $2 for 4 hours (each additional 20 minutes is $1.)   LA Film School Lot, 6363 West Sunset Boulevard (enter on east side of Ivar, north of Sunset).  $5  Lot closes at 1am.

Please visit our website for more information www.americancinematheque.com

Join the American Cinematheque on Facebook www.facebook.com/EgyptianTheatre

Follow the American Cinematheque on Twitter @sidgrauman

Please direct inquiries on the American Cinematheque Film Seminar Series to Seminar Producer/Instructor:  Thomas Ethan Harris Email Thomas

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