Tag: "Panavision"

Cinematography Lab 1.04: GET THE BEST IMAGE FROM YOUR CAMERA – May 7

HOLLYWOOD SHORTS Cinematography Lab

 

 


GETTING THE BEST IMAGE FROM YOUR CAMERA

CINEMATOGRAPHY LAB with JAY HOLBEN

LAB #1.04: GETTING THE BEST IMAGE FROM YOUR CAMERA

The Fundamentals of Cinematography Lab at Panavision

Tues., May 7, 2013
1:00pm – 4:00pm
Lab Fee: $35.00

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 The age of digital gives us extraordinary flexibility within the camera to manipulate the recorded image. Go inside the camera to learn what all those menu functions really mean – and how to make them work for you.

Learn how to balance an on-set monitor and how to make white balance a create tool. In addition, we will take a look at the similarities and differences between several cameras from a variety of manufacturers in different formats and price ranges.

This lab is designed for all camera experience levels – this is a great primer for filmmakers, camera crew, and anyone interested in learning more about how today’s advanced camera systems work.

REGISTER

HOLLYWOOD SHORTS Cinematography Lab – $35.00

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) continues our full line up of filmmaking seminars and labs. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and crew positions.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every filmmaker, camera department professional and up-n-comer should know…

Seminar Topics include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • Camera Lenses
  • The Flavors of HD
  • Camera Accessories & Camera Prep
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Apr 21, 2013 | 0 comments | View Post

Cinematography Lab 1.01: THE FUNDAMENTALS – Feb 5

HOLLYWOOD SHORTS Cinematography Lab

 

 

 

THE FUNDAMENTALS OF CINEMATOGRAPHY

CINEMATOGRAPHY LAB with JAY HOLBEN

LAB #1.01: THE FUNDAMENTALS OF CINEMATOGRAPHY

The Fundamentals of Cinematography Lab at Panavision

February 5th, 2013
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

In today’s digital age, higher quality and less expensive cameras have democratized the filmmaking process making it accessible to nearly everyone. Now that is easier than ever to get out there and start shooting on your own, it is important to learn the art, aesthetics and science of how to utilize digital technology to create an artistic and pleasing image.

Cinematographer-turned-director JAY HOLBEN, Technical Editor at DV Magazine, will take us on a journey through the basics of photographic imagery. Jay will cover what light is and how we see it, to understanding dynamic range, exposure and WHY we light (especially when modern cameras can nearly see in the dark). The Fundamentals of Cinematography explores how the professional cinematographer crafts their images. Move your own image-making forward quantum leaps.

This lab is perfect for aspiring DPs and camera crew, filmmakers who have recently acquired a digital camera package, and directors who want to improve understanding and communication with their cinematographers.  Producer will gain insight into the latest digital tools to put together the most cost effective packages that serve the creative needs of their camera departments.  Empowering information and tips that will be helpful for experienced filmmakers as well as novice shooters.

REGISTER

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Jan 27, 2013 | 0 comments | View Post

Cinematography Lab 1.06: FLAVORS OF DIGITAL IMAGE – Nov 27

HOLLYWOOD SHORTS Cinematography Lab

 

 

 

THE MASTER PALETTE: Flavors of Digital Images

CINEMATOGRAPHY LAB with JAY HOLBEN

LAB 1.06: Advanced Digital Cinematography
Instructor:  Jay Holben
Pre-req:  Lab. 1.01 or 1.02 recommended, or
Basic cinematography knowledge or experience

Tuesday, November 27, 2012
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

Register for our upcoming Panavision Cinematography Lab!

Expanding further on the “Flavors of HD” lab in this series, Advanced Digital Cinematography will more closely examine a wide range of HD image creation including: elements of modulation transfer function, optical transfer function and sampling theorem as it relates to creating images and camera technology. Discussion of various color spaces available in today’s workplace as well as pros and cons of shooting a raw format as opposed to a codec. The lab will also cover the hidden truth behind digital ISO.

This is the sixth class in our bi-annual six-class series:  We recommend having attended our “Flavors of HD” as a prerequisite.  This advanced level class is designed for filmmakers, producers, and camera crew professional who have a fundamental understanding of digital image formats, sensors, compression schemes, color dissemination.

This lab is recommended for cinematographers, DITs, post-production supervisors or previous attendees of the Flavors of HD lab looking for a more advanced in-depth discussion of digital imaging technology.

REGISTER

HOLLYWOOD SHORTS Cinematography Lab 1.06

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • All The Flavors of HD
  • The Camera Accessories Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Nov 19, 2012 | 0 comments | View Post

FILM & TV CINEMATOGRAPHERS PANEL – Nov 6

HOLLYWOOD SHORTS Cinematography Lab

 

 

 

FILM & TV CINEMATOGRAPHERS PANEL

Master Class

CINEMATOGRAPHY LAB SERIES with JAY HOLBEN

  Master Class: FILM & TV CINEMATOGRAPHERS PANEL

DAVID KLEIN, ASC guest panelist - Tues, Nov. 6 at Panavision www.hollywoodshorts.com

David Klein, ASC (True Blood, Clerks)

  HS/FILMLAB 2012 Cinematography Lab Series

  Tuesday, November 6, 2012
  1:00pm – 4:00pm

  Lab Fee: $25.00

  PANAVISION – HOLLYWOOD
  6735 Selma Avenue, Hollywood, CA 90028

Today’s cinematographer faces a wide array of challenges in the production process: how to maintain and evolve a powerful image and aesthetic while managing the maddening flurry of new technology, gear and tools, and constant pressure to work more efficiently and economically.  We will explore with our panel of esteemed Film & TV Cinematographers a wide range of topics, digital technologies impact on their imagery, filmmaker / crew collaboration and communication practices, and workflow challenges and solutions.

Mark W. Petersen - Director/Cinematographer

Mark W. Petersen on set…

Our panel features a diverse group of cinematographers all with significant contribution in the world of film and television:

DAVID KLEIN, ASC (True Blood, Pushing Daisies, Clerks, Zack and Miri Make a Porno, Chasing Amy)
JIM MATLOSZ (Better Living Through Circuitry, Who Killed The Electric Car, NIKE “Kobe III” & “LeBron James – Basketball”).  Chairman of the International Cinematographer’s Guild EMERGING CINEMATOGRAPHERS AWARDS.
MARK W. PETERSEN (Undressed,  The Hills, Bravo’s Flipped Out, Silicon Valley, Interior Therapy with Jeff Lewis). 
GUY McVICKERS Panavision’s Technical Manager – Optics Department

This moderated panel is designed for directors, producers and production managers, as well as new HD camera owners, documentary and web content DIY filmmakers, and new camera assistants & aspiring DPs.  

COMING UP NEXT:  Nov. 27th

ADVANCED CINEMATOGRAPHY LAB:  The Flavors of Digital Images
Instructor:  Jay Holben

PANAVISION Hollywood hosts our monthly Cinematography Lab Series for Filmmakers, where we cover all aspects of the artistry and technical education of digital cinematography specifically for Directors & Producers.  A very special thanks to the tireless efforts of Jennifer Kuwabara and Mike Carter, who work with us to present great information and education every month.  If you are shooting soon, check out Panavision’s NEW FILMMAKER PROGRAM,  – email Mike Carter

PARKING:  Public Parking for this event is available in the overflow lot on McCadden/Selma – $10.00.  Please do not park in the main bldg parking lot, as there wil be several shows’ camera crews prepping and picking up equipment.   There is also metered street parking, as well as a $5.00 parking lot on Selma near Cherokee.

 

REGISTER

 

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • All The Flavors of HD
  • The Camera Accessories Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Oct 19, 2012 | 0 comments | View Post

Panavision Cinematography Lab 1.04: LENSES 101 – Jul 10

HOLLYWOOD SHORTS Cinematography Lab

 

 

 

THE CAMERA: Lenses 101

CINEMATOGRAPHY LAB with JAY HOLBEN

LAB 1.04: THE CAMERA: LENSES 101                              SCROLL DOWN TO REGISTER

HS/FILMLAB 2012 Cinematography Lab

Tuesday, July 10, 2012
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

Register for our upcoming Panavision Cinematography Lab!This lab focuses on THE CAMERA and everything you need to know to get the most of the package you choose for your production. Whether you are putting together your rental order to the camera house, or shopping to buy your own camera package – there are so many makes, models and components. This seminar is great for camera assistants, DIY filmmakers, and producers who want more insight on where to best invest to get the most for your budget.

LENSES: Get to know the ins and outs of the most important part of your camera: the lens. This primer is Lenses 101! We will cover different types of lenses and different lens mounts, as well as crop factor, depth of field, anamorphic to spherical, lens adapters and more.

 

REGISTER

HOLLYWOOD SHORTS Cinematography Lab 1.04
“THE CAMERA: LENSES 101”

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • All The Flavors of HD
  • The Camera Accessories Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Jun 13, 2012 | 0 comments | View Post

Cinematography Lab 1.02 at Panavision – THE FLAVORS OF HD – May 2

CINEMATOGRAPHY LAB with JAY HOLBEN

THE FLAVORS OF HD

Cinematography Lab 1.02

Wednesday, May 2
1:00pm – 4:00pm

presented by

 

 

NOVEMBER Cinematography Lab: The Flavors of HDLAB #1.02: THE FLAVORS OF HD

HS/FILMLAB 2012
Cinematography Lab

Wednesday, May 2, 2012
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 

 

With such myriad of high-definition video formats available in the marketplace, how do you know which is best for your project? How can you tell the difference? Which is better?

DV Magazine’s technical editor, Jay Holben, will explain the aspects of high definition video formats and demystify the lingo. Learn exactly what compression codecs are commonly used, how to understand bit rates and color dissemination. Ever wonder the difference between 4:2:0 and 4:1:1? Why is one HD camera $250,000 and another is only $20,000? Leave the session having a keen understanding of the elements that make up high definition formats to be able to make more informed decisions about which format and which camera is best for your project.

HOLLYWOOD SHORTS Cinematography Lab – $35.00

 

 

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

 

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and is a frequent contributing editor for Videography magazine. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. Jay is currently writing a new film lighting manual for digital shooters for Cengage Learning, due out in early 2011, on budget conscious lighting alternatives for DIY productions. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

 

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Apr 28, 2012 | 0 comments | View Post

Cinematography Lab 1.01 – Apr. 4th

HOLLYWOOD SHORTS Cinematography Lab

 

 

 

THE FUNDAMENTALS OF CINEMATOGRAPHY

CINEMATOGRAPHY LAB with JAY HOLBEN

LAB #1.01: THE FUNDAMENTALS OF CINEMATOGRAPHY

The Fundamentals of Cinematography Lab at PanavisionHS/FILMLAB 2012 Cinematography Lab

April 4, 2012
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 

In today’s digital age, higher quality and less expensive cameras have democratized the filmmaking process making it accessible to nearly everyone. Now that is easier than ever to get out there and start shooting on your own, it is important to learn the art, aesthetics and science of how to utilize digital technology to create an artistic and pleasing image.

Cinematographer-turned-director JAY HOLBEN, Technical Editor at DV Magazine, will take us on a journey through the basics of photographic imagery. Jay will cover what light is and how we see it, to understanding dynamic range, exposure and WHY we light (especially when modern cameras can nearly see in the dark). The Fundamentals of Cinematography explores how the professional cinematographer crafts their images. Move your own image-making forward quantum leaps. This lab is perfect for aspiring DPs and camera crew, filmmakers who have recently acquired a digital camera package, and directors who want to improve understanding and communication with their cinematographers.

REGISTER

 

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

 

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and has contributed to several books including the American Cinematographers Manual. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. He is the author of “A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget” which was released earlier this year. This year, Jay also co-founded FILMMAKER IN A BOX, an educational resource for feature filmmakers. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short film adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

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Mar 21, 2012 | 0 comments | View Post

Cinematography Lab 1.01 – Nov. 2th at Panavision

 

CINEMATOGRAPHY LAB with JAY HOLBEN

THE FLAVORS OF HD

Cinematography Lab 1.01

Wednesday, November 2
1:00pm – 4:00pm

sponsored by

 

 

NOVEMBER Cinematography Lab: The Flavors of HDLAB #1.01: THE FLAVORS OF HD

HS/FILMLAB 2011
Cinematography Lab

November 2, 2011
1:00pm – 4:00pm

PANAVISION – HOLLYWOOD
6735 Selma Avenue, Hollywood, CA 90028

 

 

With such myriad of high-definition video formats available in the marketplace, how do you know which is best for your project? How can you tell the difference? Which is better?

DV Magazine’s technical editor, Jay Holben, will explain the aspects of high definition video formats and demystify the lingo. Learn exactly what compression codecs are commonly used, how to understand bit rates and color dissemination. Ever wonder the difference between 4:2:0 and 4:1:1? Why is one HD camera $250,000 and another is only $20,000?  Leave the session having a keen understanding of the elements that make up high definition formats to be able to make more informed decisions about which format and which camera is best for your project.

HOLLYWOOD SHORTS Cinematography Lab – $35.00
Use our secure payment tool or pay by check at the door.

Name
Email

Jay Holben – Head Educator
HOLLYWOOD SHORTS
Cinematographers Lab

Our Emerging Filmmakers Program (EFP) expands this year with a full line up of filmmaking seminars and labs. We will be launching this new initiative with a new seminar series for cinematographers & camera assistants. The monthly seminars will encompass a wide range of topics and issues, designed for all ranges of experience and formats.

 

The HS/EFP Cinematographers Lab will also take us into some of the workrooms of some of our favorite camera shops and camera related organizations that every camera department professional and up-n-comer should know…

Seminar Topics will include:

  • Fundamentals of Cinematography
  • Getting the Best Image From Your Camera
  • The Camera Crew
  • Flavors of HD
  • The Camera Showcase
  • Lighting from Home Depot

ABOUT JAY HOLBEN
Jay Holben is an independent producer & filmmaker who worked as a director of photography for nearly a decade. Previously serving as Technical Editor covering film cameras and lighting, Jay has been a contributing editor to American Cinematographer Magazine for 12 years. He is currently the Technical Editor for DV Magazine, with a monthly column, ‘DV101,’ and is a frequent contributing editor for Videography magazine. Jay has contributed to several books on cinematography, including the American Cinematographer Manual, 9th Edition. Jay is currently writing a new film lighting manual for digital shooters for Cengage Learning, due out in early 2011, on budget conscious lighting alternatives for DIY productions. Jay has been a member of HOLLYWOOD SHORTS since 1999 with his short adaption of the Stephen King poem, “Paranoid”, and he is our Department Chair – Cinematography at HOLLYWOOD SHORTS FilmLab.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Oct 27, 2011 | 0 comments | View Post

Short Film Program #7 – June 18th – THE CINEMATOGRAPHERS

HOLLYWOOD SHORTS - Monthly screenings

Saturday, June 18, 2011

4:30pm – 7:30pm

FREE

Dim Mak Studios (formerly Cinespace)

Edition 13.7

SHORT FILM PROGRAM #7                                                Reserve your   FREE TICKETS

 

4:30pm – 5:30pm
International Cinematographers Guild Reception

5:30pm – 7:30pm
Emerging Cinematographer Awards
Short Film Screening


Emerging Cinematographers Awards 2010 Nominees

We are honored to join with the International Cinematographer’s Guild Local 600 in presenting our annual screening of this season’s EMERGING CINEMATOGRAPHER AWARDS Finalist and Winners. Each September, the ICG holds their ECAs, honoring the best short films shot by emerging cinematographers from among their Camera Operators & Assistants members.

We are excited to bring together HOLLYWOOD SHORTS directors and ICG’s cinematographers to spark new creative partnerships among our respective members.

Reserve your free seats…

 

THE FINALISTS Watch the trailers on Vimeo

Tod Campbell Austin, TX “The Big Bends”
John Snedden San Diego “Brite Eyes”
Stephanie Dufford Los Angeles “The Fantastic Magnifico”
Rodney Lamborn NYC “Meridian”
Jacob Pinger Pasadena “The Cycle”
Patrick Meade Jones Santa Monica “Android Love”
Cameron Duncan Venice “Mr. Marceau”
Brian Udoff Los Angeles “Les Mouches”
Emerging Cinematography Awards screening - June 18th

ECA '10 - Bios & Trailers

 

Tod Campbell, an operator out of Austin TX, was chosen for his 13 minute film “The Big Bends;” second assistant Cameron Duncan, from Venice CA, for the 20 minute “Mr Marceau;” Stephanie Dufford, based in Los Angeles, also a second assistant, honored for “The Fantastic Magnifico,” with a running time of 11 minutes. Loader, Santa Monica’s Patrick Jones‘ “Android Love” came in at 18 minutes, while Rodney Lamborn, operator living in New York, will show his “Meridian,” which at 2.36 minutes is the shortest film in the group. Operator Jacob Pinger from Pasadena was honored for his 15 minute “The Cycle;” John Snedden, living in San Diego, also an operator, was selected for his “Brite Eyes,” clocked in at 12 minutes. Rounding out the group is first assistant, Brian Udoff, whose 26 minute “Les Mouches” is the longest film to be screened. He lives in Los Angeles.

Reserve your free seats…

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May 27, 2011 | 0 comments | View Post