Tag: "American Cinematheque"

BIG WORLD FOR LITTLE MOVIES Seminar – May 24

BIG WORLD FOR LITTLE MOVIES:
THE COMPLETE GUIDE FOR SHORT FILM CONTENT

American Cinematheque at the Egyptian Theatre
Film Seminar Series
with Thomas Ethan Harris

American Cinematheque
Egyptian Theatre

6712 Hollywood Boulevard, Hollywood, CA 90028
Thursday, May 24 @ 7:30pm                                                                              

(Mention HOLLYWOOD SHORTS at the box office for 20% discount)

Whether the renewed vitality of the short film content is based on the rise of consumer “pod casts”, the content crazed appetite of the internet or the internet’s short content offspring – Webseries — there’s no denying it’s a BIG world out there for “little movies.” Uncover a wealth of information on short filmmaking trends, current channels of distribution and the future of short film exposure from a panel of short film business and programming leaders.
 
The world of short film content has changed dramatically in recent years.
 
In fact, not since the “.com era” of the 1990s, have we seen such rethinking of how the short film figures into overall landscape of the entertainment industry.
 
Today there are literally thousands of film festivals for you to consider as you move your short film out to festival audiences.  With cable television exposure for short films part of the distant dream of the 1990s, short filmmakers now find themselves contending with the options of a new virtual wild west — The Internet, Video-On-Demand (VOD) and pod casts — for greater content exposure than festival world could ever dream of or deliver.
 
But don’t stop there!  With the 1000s of Internet sites available to you to post your film on, which site is best for your film?  Is it more advantageous for your extended career to “YouTube” or “Vimeo” your short or for you to post your short on your own website and use your favorite social networking site to drive attention to your film?  What is a “torrent site” and how can it figure into the distribution of your short?  How do short film distributors (like Quat Media, SND Films, Shorts International) figure into today’s short film landscape?
 
Now consider this:  With the incredible expansion of the methods of distribution and exhibition open to your short film, there has EVEN been a revolution in the very definition of what artistically comprises a short film.
 
What is a “festival” short?  What is the difference between a “Sundance short,” a “Cannes short,” an “internet short” and a “Short Film Festival short”?  What does the Academy of Motion Arts and Sciences look for in a short film?  What is the definition of the most desirable form of content for a short film distributor?
 
Finally, and most provocatively, is it more advantageous for a short filmmaker today to make a single short (festival) film or to develop and produce a webseries?
 
For our May 24 seminar, BIG WORLD FOR LITTLE MOVIES:  THE COMPLETE GUIDE FOR SHORT FILM CONTENT, we turn our total attention to unraveling the whole, overwhelming and complex world that today’s short filmmaker must deal with to take good care of their work.
 
THE COMPLETE GUIDE FOR SHORT CONTENT begins with a focus on issues surrounding film festivals, film festival release strategies for short films, a list of the World’s Best Short Film Festivals (and some not very good ones!) and establishing some definitions for the various forms or identities the short film artistically embodies today.
 
The second part of our evening’s seminar will be dedicated to an in depth discussion of short film distribution and exhibition. Not only will we open the door to a greater understanding of overall design of the content favored by distributors, but we will also examine rights and clearances issues AND help to sort out the vast offerings of the Internet and the potential of having your very own webseries.
 
Panelists Include:
 
Kim Adelman, Author, Making It Big In Shorts, The Ultimate Filmmaker’s Guide To Short Films,
Indiewire Short Film Columnist
 
Kalman Apple, Sales & Acquisitions Consultant, SHORTS INTERNATIONAL
 
Kimberley Browning, Filmmaker & Festival Director, HOLLYWOOD SHORTS
 
Moderated By Thomas Ethan Harris,
Producer, AMERICAN CINEMATHEQUE FILM SEMINARS;
Former Director Of Programing, LOS ANGELES FILM FESTIVAL and PALM SPRINGS INTERNATIONAL SHORT FILM FESTIVAL
 
 
SEMINAR EVENT LOCATION
The American Cinematheque’s Egyptian Theatre in Hollywood
6712 Hollywood Boulevard
Los Angeles, CA 90028
 
SEMINAR DATE AND TIME
One Night Only!
Thursday, May 24 @ 7:30pm – 10:30pm
 
TICKET INFORMATION
Advanced Tickets Recommended
All Seminars Ticket Prices: $12 Cinematheque Members, $15 Students/Seniors, $20 General.  Order tickets online at www.fandango.com or buy them in person at the Egyptian Box Office.  The Egyptian Box Office is open 1.5 hours before the first program of the day or evening.  In addition to in person and www.fandango.com, CINEMATHEQUE MEMBERS may be purchased tickets in advance by phone: 323.692.3431
 
HOLLYWOOD SHORTS FILMMAKER TICKET DISCOUNT!!
25% Off Our General $20 Ticket Price For HOLLYWOOD SHORTS FILMMAKERS!
Hollywood Shorts Filmmakers will be offered a special $15 ticket to our COMPLETE GUIDE TO SHORT FILM CONTENT seminar on Thursday, May 24 when purchasing SAME DAY (May 24) tickets only.  Inquire about the ticket discount at the Egyptian Box Office by mentioning that you are a Hollywood Shorts Filmmaker.
 
Cheap Parking!  LA Film School Lot, 6363 West Sunset Boulevard (enter on east side of Ivar, north of Sunset).  $5  Lot closes at 1am.  Additional $5-$10 parking behind the Egyptian and on Selma Avenue.  The American Cinematheque no longer validates for Hollywood and Highland, but the Visitors Information Booth at Hollywood/Highland will validate 2 hours for $2. Make sure to validate when you arrive and to check operation hours online.
 
Please visit our website for more information www.americancinematheque.com

Twitter, Going, Gather, Facebook (sidgrauman, Egyptian, aero)
 
Please direct inquiries on the American Cinematheque Film Seminar Series to Seminar Producer/Instructor:  Thomas Ethan Harris

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5th African American ShortsFest – Feb. 11th

5th African American ShortsFest at the American Cinematheque5th African American ShortsFest
at the American Cinematheque

Saturday, February 11th, 2012
The Egyptian Theatre
6712 Hollywood Blvd.
Hollywood, CA  90028

Our annual collaboration with the American Cinematheque to celebrate a new generation of filmmakers who are expanding diversity of storytelling and redefining characters in independent American Cinema.

Tickets $7.00 – $11.00 – available via Fandango or at the Egyptian Theater box office

program #1 – 5:00pm program #2 – 7:30pm
tickets tickets

 

 

 


program #1

MonKKey ‘500’      8 min.
Dir. Ajamu M. Frasier
A young girl witnesses 500 soldiers desperately attempt to apprehend one lone monk.

The Truth About Beauty and Blogs        13 min.
Dir. Rosalyn Coleman Williams
A social media diva is thrown off her game when her boyfriend starts acting up on Facebook.

Love Lockdown      18 min.
Dir. Nadia Hallgren
Shoshana is a young mother from the Bronx who is fighting to keep her family together while awaiting the fate of her fiancé Felix, who is locked up and on trial.

Vision         3 min.
Dir. Lemuel Thornton III
An autobiographical experimental journey.

This Weekend Update      5 min
Dir. Victor Dean
A weekly web news show as only Paul Mooney, Jr. can bring it!

Mourning News          9 min
Dir. Kimberly Denise Sanders
Laurie, an overworked and underappreciated stay-at-home mom, finds her day taking a turn for the worse when two cops show up at her doorstep with news.

Solace           13 min
Dir. Tchaiko Omawale
Sole, a socially awkward recluse, discovers through her window-watching that her pretty and popular neighbor Jasmine has a secret.

Fanti Love Song           4 min.
Dir. Sam Kessie
Ghanian artist M3NSA has to choose between two loves – his career or the woman in his life.

Salvation Road           18 min.
Dir. Ka’ramuu Kush
Business becomes unusual when an unsuspecting hit man senses that he’s been witnessed executing his traitorous mentor.

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Meet The Filmmakers – February 2011

4th African American ShortsFest

meet the filmmakers

 

february 2011

 

American Cinematheque at the Egyptian Theatre

 

Get to know the 14 filmmakers honored this month
at our annual African American short film festival

presented by The American Cinematheque

 




ANACOSTIA
Email
Website
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ANTHONY ANDERSON
Washington DC

Creator, Director, Writer, Star of the ground-breaking, mega-award winning web-series soap ANACOSTIA.

Writer and Producer of 2006 feature film “The Ties That Bind” starring DeLon Howell, Lori Lewis, Nicole Pettis.

Writes and produces thru his Southeast Boy Productions, and is considered one of the leading forces in a burgeoning Metro DC indie filmmaking community.

CLOSE
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Website
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TAHIR JETTER
NYC

At age 16, discovered his passion for filmmaking; attended film school at Tisch.

His short film CLOSE just screened at Sundance ’11, and looks like it will have a big fest run.  The film shows his exceptional ability to direct drama, and to craft compelling modern characters.

Tahir is developing more short films, and several feature screenplays.

GOOD INTENTIONS
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IHUOMA OFORDIRE
Los Angeles

Actress, Writer, Producer originally from DC., she created the intense drama “Good Intentions”to challenge herself as an actress.

She is currently starring in the short film “Kwame”, named Best Short at Pan African ’10, & Sci-Fi feature “Thrillseekers:  The Indoscheen”.

She is also creator of web series “Life, Love & Hollywood”.  She is scribing and developing several new projects via her Good Luck Productions.

I CHEAT
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Website
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Twitter

KEVIN HEROD
Toronto

Veteran stand-up comic, popular on air host & actor.  Also the voice of Canadian animated series “Ninjamaica”.

His hip-hop music video “I Cheat” showcases Kevin’s creativity, guerilla filmmaking acumen, and exceptional comic writing ability. His on-stage humor translates seamlessly to film/video.

KATRINA’S SON
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Website
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YA’KE SMITH
Ft. Worth

Shot his first film at 15 while in high school in his hometown San Antonio. Has quickly built an impressive body of work which has already had over 40 fest selections; major award wins, including Regional Student Academy Award, DGA Student Film Award, HBO Short Film Award. Current film “Katrina’s Son” continues to show Ya’Ke’s unflinching storytelling style and bold directing instinct.  His next film is the feature “Wolf” through his Texas-based Exodus Filmworks.


KNOW YOUR ROLE
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DANEL K HUNTER
Los Angeles

Teaming up with his veteran actor/improv pro brother David Hunter, this DC native created their new film “Know Your Role” as part of his move into the directing ranks of the LA film community.

Daniel is a veteran sound editor, with extensive TV network credits.  His extensive music/post background has given him a great foundation to transition to the director’s chair.

MEN OR MICE
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KIARA JONES
NYC

A native New Yorker, Kiara began her artistic journey as a poet and hip hop artist.  She transformed her love for storytelling into an award-winning career in broadcast radio & TV. She has also worked in Vegas producing live shows and has now returned to New York to focus on her filmmaking.

“Men or Mice” explores themes central in Kiara’s films, reflecting the varied American experiences of minorities and women.  Kiara has produced an impressive body of work under her Cultivated Films banner.

Hilton Carter www.fresh-kill.comMOTH
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HILTON CARTER
Los Angeles

Classically trained as a fine artist, Hilton is an alum of the Fine Arts program at the Maryland Institute College of Art, holds an MFA in Film from the Art Center in Pasadena.

Hilton’s visual sensibility and evocative storytelling style has intertwined powerful images and compelling characters into exceptional commercials & music videos.  He now brings these elements together into narrative live action with his debut drama “Moth”.


MR. OKRA
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ANDRÉ JONES
New Orleans

André is a 12 year entertainment industry veteran, with extensive Post Production experience.  He began his career as an assistant to editor/director T.G. Herrington, and they now run the exclusive post house (literally) MAISON in New Orleans, and their in-house production group NOM DE GUERRE Productions.

Mr. Okra is a heartwarming post-Katrina doc that brings the spirit and magic of New Orleans to the screen through one man’s story.

Andre studied at Loyola in N.O, & did his grad work at Morehouse.

THE “F” WORD
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ISSA RAE
Los Angeles

One of those rare LA natives, Issa begin her filmmaking while at Stanford, launching “Dorm Diaries”, a soap type web series she streamed to her college mates via Facebook. She is now a one-woman wrecking machine on the web entertainment scene, and is changing the images and voices of African American writing and characters via the web.

She discovered the comic genius of the hip hop trio THE FLY GUYS while directing a music video for the group, and together they launched one of the funniest web series ever “The “F” Word”. The show is now into their 5th season.

February hails the launch of her much anticipated new episodic online series “The Misadventures of Awkward Black Girl”.

THE KISS
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CAREY WILLIAMS
Los Angeles

From Pensacola, FL, Carey moved to LA after attending film school at Florida St. University.  He began as a PA, eventually landing a gig on the feature TRAINING DAY, working as Ethan Hawke’s assistant.  He then jumped into directing music videos for local hip hop and rock acts, with two of his vids winning MTVu’s FRESHMEN 5 contest, and getting airplay on VH1 and MTV2.

Carey works extensively as an editor and is in prep to direct his next short film CHERRY WAVES.

 

THE NEXT DAY
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AL ROBBINS
Atlanta

Filmmaker/Writer Al “Skip” Robbins was born in Queens, and started as an actor after attending SUNY/Old Westbury. He became an extra on New York Undercover, then booked several commercials.  He moved behind the camera in 1995 forming his production company Bottom of the Net Filmworks, where he directed his first short “One for the Money”.  After several successful shorts he wrote and directed the feature film “Trust”, and has been writing, producing and directing feature films and web based entertainment.

He is currently in Morocco directing a feature film, and has three feature films projects in development.

Lamont Wayne - animator THEM BONES (2010)
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LAMONT WAYNE
Lynchburg

Lamont Wayne is a freelance animator and artist.  In early 2010, he discovered a new website GoAnimate.com and used it as an educational tool to teach his nephews about how animation is made.  This process led to an animated series based on the boys called Jamari and Bralyn.  The series received unexpected attention thru social media, and let to Lamont being named a Filmmaker To Watch 2010 by HOLLYWOOD SHORTS.

Lamont was a guest speaker and presenter on Animation at the International Children’s Film Festival at the Amazement Square  Children’s Museum in 2009.  He continues to develop JAMARI as well as a short about a bible based superhero kid, and an intergalactic war toon based on the Civil War’s Buffalo Soldiers.


TROUBLESOME (2010)
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HILLIARD GUESS
Los Angeles

A veteran actor, and alum of both the Bill Cosby TV Writers Fellowship and Nickelodeon’s Writer’s Lab.  His feature script SECTION 8 was a Quarterfinalist in the Nicholl’s Fellowship.  He co-wrote & c0-produced horror feature “Blackout” released in 2006.

“Troublesome” is his directing debut. and is already garnering significant festival attention.  Hilliard has three TV pilots available, as well a slate of feature scripts in development through his Hilldog Productions.

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SEMINAR: In The Cut – Employing The Art of Editing

American Cinematheque at the Egyptian Theatre
American Cinematheque
Filmmaking Seminar Series
with Thomas Ethan Harris

 

 

IN THE CUT

EMPLOYING THE ART OF EDITING

 

Thursday, February 17, 2011

7:30pm – 10:30pm

Spielberg Screening Room
Egyptian Theatre  –  Hollywood, CA

 

Cost:  $15.00 for HOLLYWOOD SHORTS filmmakers
at the Egyptian Theatre Box Office


The shower scene in PSYCHO.

Two glamorous bank robbers’s final end in BONNIE AND CLYDE.

A runaway baby carriage in BATTLESHIP POTEMKIN.

Lack of continuity in BREATHLESS.

Chances are you first remember these master works for their editing.  But when do you employ the jump cut, avoid a reverse shot, or elliptically cut?  What is their actual effect?

What is “dialectical montage”, “suturing” and how does “cutting to a character’s POV” enhance a film?

Film and Festival Consultant Thomas Ethan Harris leads a discussion where everything’s in the cut.


All HOLLYWOOD SHORTS filmmakers & community are invited to join the February installment of the Cinematheque’s monthly seminar series with a discount on the ticket price when purchased at the box office on the day of the seminar.  Mention HOLLYWOOD SHORTS at the box office when purchasing your tickets to received our member discount.  Tickets are available at the box office 90 minutes prior to the event.

Cheap Parking! The American Cinematheque’s Egyptian and Spielberg Theatres validate only for HOLLYWOOD AND HIGHLAND, $2 for 4 hours (each additional 20 minutes is $1.)   LA Film School Lot, 6363 West Sunset Boulevard (enter on east side of Ivar, north of Sunset).  $5  Lot closes at 1am.

Please visit the American Cinematheque website for more information www.americancinematheque.com

Follow The American Cinematheque on Twitter!   @sidgrauman


Thomas Ethan Harris

Thomas Ethan Harris - American Cinematheque Seminar SeriesThomas Ethan Harris has served as the Director Of Programming for numerous organizations and non-profits including the Los Angeles Film Festival, the Palm Springs International Festival of Short Films and the Palm Springs Cultural Center. The experience of overseeing these selection committees has given Harris a unique insight into the contemporary world of independent filmmaking.

Harris holds a Masters Degree in World Film History/Film Theory and Criticism from the University of Southern California, School of Cinema-Television.

From 1996-2002 Thomas served as Director of Programming/Co-Creator of the highly regarded Los Angeles Film Festival (LAFF). Under his guidance, the Los Angeles Film Festival introduced such films as THE CRUISE (Artisan), THE CHATEAU (IFC), DEAD MAN (Miramax), GEORGE WASHINGTON (Cowboy), KAATERSKILL FALLS (IFC), BETTER LIVING THROUGH CIRCUITRY (Palm Pictures), THE LIFESTYLE (Sony Classics) and KISSING JESSICA STEIN (Fox Searchlight). He is credited with having introduced to the film world such acclaimed contemporary filmmakers as Academy Award nominee Bennett Miller (CAPOTE), New York Film Critics Circle Prize Winner, David Gordan Green (ALL THE REAL GIRLS), Charles Wurmfeld (KISSING JESSICA STEIN) and Thomas Bezucha (THE FAMILY STONE). Also in 1995, Mr. Harris founded (with Margot Gerber) and programmed the American Cinematheque’s critically acclaimed, on-going screening series, THE ALTERNATIVE SCREEN. The Alternative Screen, which celebrated its 10th Anniversary in 2005, focuses on cinema that is more expressive in its narrative dimensions and more formally challenging than most American film work today. Upon leaving LAFF in late 2002, Mr. Harris was selected as one of Variety’s “TOP 10 Industry Professionals to Watch” in the American Independent Film arena. Mr. Harris has served as a jury member to countless film festivals and as the Director Of Programming to both the Palm Springs International Festival of Short Films (2003-4) and the Palm Springs Native American and Indigenous Peoples Film Festival (2005-present). Most recently, Mr. Harris has offered his talents as a curator and a consultant/film festival creator to the International Emerging Talent Film Festival in Monte Carlo, Monaco, which had its film festival debut in May 2007. Most recently, Mr. Harris served as the co-creator and Artistic Director of the Palm Springs Cultural Center which focuses on emerging talent in all realms of the arts. Since 2003, Mr. Harris has owned and operated his own successful Los Angeles-based consulting business which works closely with a variety of film artists and producers from all over the United States and the international film community in all aspects of film financing, film production, screenwriting, film direction and visualization. Harris’ company was founded with the principle that we have yet to see the potential of cinema and we must secure a way for a new generation of film artists and for new filmic expressions. Among his many clients are filmmakers from Argentina, China, England, France, Norway, Uruguay, and the United States and such motion pictures as THE BLAIR WITCH PROJECT, BIG EDEN, KISSING JESSICA STEIN, ADIOS MOMO, Disney’s 2004 Oscar-nominated Salvador Dali/Walt Disney short DESTINO, TWO SOLDIERS, winner of the 2004 Academy Award for “Best Live Action Short Film” and RYAN, winner of the 2005 Academy Award for “Best Animated Short Film.

American Cinematheque Filmmaking Seminar Series

The American Cinematheque debuted its Filmmaking Seminars for Filmmakers and other artists in September 2007 with the concept of offering concrete, practical information on a variety of filmmaking, marketing, creative and business practices at a very reasonable cost to the many independent filmmakers working in the Los Angeles area.

Film consultant and festival programmer Thomas Ethan Harris leads many of the seminars in tandem with guest speakers working in the spotlighted fields.

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4th AFRICAN AMERICAN SHORTSFEST Official Selections



4th AFRICAN AMERICAN SHORTSFEST

at The American Cinematheque

American Cinematheque at the Egyptian Theatre

Saturday, February 12, 2011

The Egyptian Theatre
Hollywood, CA  90028

Ticket details at The Egyptian Theatre


OFFICIAL SELECTIONS

ANACOSTIA Anthony Anderson
CLOSE Tahir Jetter
GOOD INTENTIONS Morocco Omari
I CHEAT Chris Herod
KATRINA’S SON Ya’ke
KNOW YOUR ROLE Daniel K. Hunter
MEN OR MICE Kiara Jones
MOTH Hilton Carter
MR. OKRA T. G. Herrington
THE “F” WORD Issa Rae
THE KISS Carey Williams
THE NEXT DAY Alfred Robbins
THE WOLFMAN Lamont Wayne
THEM BONES Lamont Wayne
TROUBLESOME Hilliard Guess
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SHORT FILM SEMINAR – December 15


BIG WORLD FOR LITTLE MOVIES

THE COMPLETE GUIDE FOR SHORT FILM CONTENT

The world of short film content has changed dramatically in recent years. Uncover a wealth of information on short filmmaking trends, current channels of distribution and the future of short film exposure from a panel of short film business and programming leaders.

 

Wednesday, December 15

7:30pm – 10:30pm

AMERICAN CINEMATHEQUE

Egyptian Theatre
6712 Hollywood Boulevard
Hollywood, CA 90028

American Cinematheque at the Egyptian Theatre

BUY TICKETS

Cinematheque Members:  $12.00       HOLLYWOOD SHORTS members:  $15.00

 

Moderator:

Thomas Ethan Harris
Producer/Instructor
American Cinematheque Film Seminars

Panelists:

Kimberley Browning
Filmmaker & Executive Director
HOLLYWOOD SHORTS

Andrew Crane
Short Film Programming
AMERICAN CINEMATHEQUE



TICKET INFORMATION

All Seminars Ticket Prices: $12 Cinematheque Members, $15 Students/Seniors, $20 General.  Order tickets online at www.fandango.com or buy them in person at the Egyptian Box Office.  The Egyptian Box Office is open 1.5 hours before the first program of the day or evening.  In addition to in person and www.fandango.com, CINEMATHEQUE MEMBERS may be purchased tickets in advance by phone: 323.692.3431

HOLLYWOOD SHORTS  DISCOUNT TICKETS
25% Off General Ticket Price for HOLLYWOOD SHORTS participants.
HOLLYWOOD SHORTS Filmmakers will be offered a special $15 ticket price  to our
Complete Guide To The Short Film seminar on Wednesday, December 15th when purchasing SAME DAY (December 15th) tickets only.  Mention HOLLYWOOD SHORTS when purchasing your tickets at the box office for the special $15 ticket price.


SEMINAR OVERVIEW

Whether the renewed vitality of the short film content is based on the rise of consumer “pod casts”, the content crazed appetite of the internet or the internet’s short content offspring – Webseries — there’s no denying it’s a BIG world out there for “little movies.” Uncover a wealth of information on short filmmaking trends, current channels of distribution and the future of short film exposure from a panel of short film business and programming leaders.

The world of short film content has changed dramatically in recent years.

In fact, not since the “.com era” of the 1990s, have we seen such rethinking of how the short film figures into overall landscape of the entertainment industry.

Today there are literally thousands of film festivals for you to consider as you move your short film out to festival audiences.  With cable television exposure for short films part of the distant dream of the 1990s, short filmmakers now find themselves contending with the options of new virtual wild west — The Internet, Video-On-Demand (VOD) and pod casts — for greater content exposure than festival world could ever dream of or deliver.

But don’t stop there!  With the 1000s of internet sites available to you to post your film on, which site is best for your film?  Is it more advantageous for your extended career to “YouTube” or “Vimeo” your short or for you to post your short on your own website and use your favorite social networking site to drive attention to your film?  What is a “torrent site” and how can it figure into the distribution of your short?  How do short film distributors (like Quat Media, SND Films, Shorts International) figure into today’s short film landscape?

Now consider this:  With the incredible expansion of the methods of distribution and exhibition open to your short film, there has EVEN been a revolution in the very definition of what artistically comprises a short film.

What is a “festival” short?  What is the difference between a “Sundance short,” a “Cannes short,” an “internet short” and a “Short Film Festival short”?  What does the Academy of Motion Arts and Sciences look for in a short film?  What is the definition of the most desirable form of content for a short film distributor?

Finally, and most provocatively, is it more advantageous for a short filmmaker today to make a single short (festival) film or to develop and produce a webseries?

For our November seminar, BIG WORLD FOR LITTLE MOVIES:  THE COMPLETE GUIDE FOR SHORT FILM CONTENT, we turn our total attention to unraveling the whole, overwhelming and complex world that today’s short filmmaker must deal with to take good care of their work.

THE COMPLETE GUIDE FOR SHORT CONTENT begins with a focus on issues surrounding film festivals, film festival release strategies for short films, a list of the World’s Best Short Film Festivals (and some not very good ones!) and establishing some definitions for the various forms or identities the short film artistically embodies today.

The second part of our evening’s seminar will be dedicated to an in depth discussion of short film distribution and exhibition. Not only will we open the door to a greater understanding of overall design of the content favored by distributors, but we will examine rights and clearances issues AND help to sort out the vast offerings of the internet and the potential of having your very own web series.

Moderated By Thomas Ethan Harris, Producer/Instructor, American Cinematheque Film Seminars


SEMINAR EVENT LOCATION

The American Cinematheque’s Egyptian TheatreHollywood
6712 Hollywood Boulevard
Los Angeles, CA 90028

Cheap Parking! The American Cinematheque’s Egyptian and Spielberg Theatres validate only for HOLLYWOOD AND HIGHLAND, $2 for 4 hours (each additional 20 minutes is $1.)   LA Film School Lot, 6363 West Sunset Boulevard (enter on east side of Ivar, north of Sunset).  $5  Lot closes at 1am.

Please visit our website for more information www.americancinematheque.com

Join the American Cinematheque on Facebook www.facebook.com/EgyptianTheatre

Follow the American Cinematheque on Twitter @sidgrauman

Please direct inquiries on the American Cinematheque Film Seminar Series to Seminar Producer/Instructor:  Thomas Ethan Harris Email Thomas

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